No Boundaries International Art Colony 2019

The 2019 No Boundaries International Art Colony exhibition is open at the Wilma W. Daniel Gallery on the campus of Cape Fear Community College. The exhibition runs November 16, 2019 through January 10, 2020.

This unique exhibition brings together artists working locally, regionally, nationally and internationally. This year’s colony features the work of Hande Akalin (Turkey), Belgin Akin (Turkey), Todd Carignan (Wilmington NC), Nat Dickinson (Asheville NC), Jenn Dierdorf (Brooklyn NY), Saiko Kashiwada (Japan), Yvette Molina (Brooklyn NY), Iñego Navarro (Spain), Dorry Spikes (Wales UK), Barbara Anne Thomas (Raleigh NC), Pam Toll (Wilmington NC), Gayle Tustin (Wilmington NC),  




The Cape Fear Community College Department of Fine Arts is proud to present this exhibition of works created by our talented faculty. This exhibition features work by: Ben Billingsley, Geoff Calabrese, Rick Conn, Brandon Guthrie, Jennifer Mace, Kendall Martin, Marsha Mills, Victoria Page, Abby Spangel Perry, Deborah Quinn, Casey Scharling, Sharon Wozniak Spencer, and Nicole Wilkinson.

The exhibition runs through Nov. 8, 2019, so don’t miss it!





Pam Toll, Associate Professor of Art at UNC Wilmington, has opened a new exhibition, entitles “Landscape and Memory” at the Wilma W. Daniels Gallery at Cape Fear Community College.
Toll has been drawing and painting since childhood and this physical way of thinking has become a fundamental part of her work. In this exhibition, she pursues an energy around trees that comes from a lifetime spent among them. The exhibition runs from August 12 through October 4 and can be visited, free of charge, during gallery hours.
There will be an opening reception held on Friday, August 23, beginning at 6:00 p.m., at the Wilma W. Daniels Gallery, located at 200 Hanover St.. There will be a closing reception for the exhibition on September 27, beginning at 6:00 p.m., also held at the Gallery.




Randy McNamara lives in Hampstead, North Carolina, where he maintains a studio and teaches painting at the Leland Cultural Arts Center. Previously, he lived in Los Angeles California, exhibiting his work at Gallery 825 and various other venues in the region.
He has an M.F.A. from Indiana University in Bloomington, and a B.S. in Biology from the University of Kansas. While at KU, he discovered and named an isozyme of wild sunflowers and was also Outstanding Senior in Ceramics.
His background in biology has influenced his work primarily through the use of biomorphic forms and the notion that everything functions within an interconnected matrix of infinite elements in flux. A puzzle being assembled, disassembled and reassembled for eternity. His work employs acrylics and paper applied to canvas in a painterly manner with an interest in color, rich surfaces and the conundrum of the center.
The exhibition of McNamara’s work at the Wilma W. Daniels Gallery runs from June 24 through August 2, 2019, with receptions on both June 28 and July 26, at 6:00 p.m.
For more information about his work, visit the artist’s web site at https://mcnamara.crevado.com/




Cape Fear Community College is proud to present the 2019 Student Art Show, featuring some of our talented students and their incredible works of art.
The exhibition runs through May 3, and there will be a reception and awards ceremony on Friday, April 26, at 6:00 p.m.
Please join us to celebrate the fantastic work that our students have created!




LOCAL: art + ideas presents
Kelly Sheppard Murray’s Curiosities Series (2016-2019)
The largest showing to date of the more than 400 sculptures from this body of work. This is the Raleigh based artist’s first major solo exhibition.
Murray’s Curiosities Series is the cumulative output of the artist’s plan to produce one sculpture a day
for a year (December 2016-2017), in order to recast the temporal, practical, and material limitations of
her daily life into conditions of creative resolution and production. As the total number of sculptures
increased, the artist named each a Curiosity (with a sequential number), underlining the act of collecting
idiosyncratic and unusual objects. After completing 365 pieces (the artist tags each with its number),
Murray continued with the sculptures and, without the constraints of time, also expanded them to a
larger scale.
The array of colors, shapes, forms, and patterns present in the Curiosities echoes the daily theme and
variation of the actual making of each piece. Human interaction with nature remains an important
element in Murray’s work, and the sculptures balance biomorphic forms with industrial colors and
materials. At the start of the series, the artist used materials at hand: pieces of wood, bark, string, wire,
metal mesh, and encaustic. She eventually relied mostly on the wire and mesh, sometimes adding small
pedestals. The modest scale is consistent throughout the series, as Murray made each Curiosity by hand
and within a daily time period. Colors are nothing short of pronounced: bright, bold, booming. Even
when rendered in black or white, the sculptures have a resounding presence or, when they appear
monochromatic, layers of other colors peek through.
The Curiosities Series sustains no installation rules, and this fluidity is a nuanced counterpart to the
creative guidelines of the project. One may encounter the sculptures individually or in groups, and on
the wall, the floor or a pedestal. They may congregate by color, shape or scale, and in extended lines
or scattered groupings. To celebrate the ability for multiple stagings, the artist and curator (Beth
Handler Riebe) will reinstall the sculptures midway through the exhibit.
Murray shares the making of the Curiosities Series on Instagram, posting a picture of each sculpture
on the day of its completion. These posts act as a visual diary of and a dialogue about her process, with
the cumulative visual grid of Instagram merging into a record of the artist’s demarcation of each day
as a creative cell.
KELLY SHEPPARD MURRAY creates sculptures, paintings, and drawings that combine natural
and biomorphic forms, geometric shapes, and repetitive patterns. She is the recipient of the
International Encaustic Artists Emerging Artist Grant (2018); the Artspace (Raleigh) Emerging Artist
Residency (2016); and the Artist Project Grant, United Arts of Raleigh and Wake County (2012 and
2000). Recent solo exhibitions include: Second Nature at Holder Goods, Raleigh (2018) and a show at
Wake Technical Community College (2016). Recent group exhibitions from 2018 include: The Price
is Right, Tinney Concept, Nashville (Online); Dogwood Arts Regional Arts Exhibition, Knoxville; and
Raleigh Fine Arts Society’s NC Artists Exhibition. She is a native North Carolinian, with a BFA and
an MFA in sculpture from UNCG and ECU, respectively. Murray is Associate Professor of Studio Art
at Wake Technical Community College and maintains a studio at Artspace
(www.kellysheppardmurray.com).
LOCAL: art + ideas is a think tank based in Wilmington, NC, that supports art and ideas
flourishing beyond larger metropolitan areas and cultural networks. Beth Handler Riebe founded
LOCAL in 2013. Riebe worked in the NYC art world for twenty years, with curatorial stints at the
Museum of Modern Art, Whitney Museum of American Art, and Yale University Art Gallery. She
served as an art consultant to Donald B. Marron (one of ARTnews’ top 200 collectors). She is a former
Trustee at the Cameron Art Museum and occasionally teaches art history at UNCW. Riebe received a
BA from Oberlin College, and an MA and a PhD from Yale University, with all degrees in art history.
www.local-art-ideas.com




This year we would like to commemorate a special exhibit coming out of the No Boundaries Internation Art Colony. Not only has it been an amazing 20 years working with local and international artists, but to have the honor of those once selected in previous years have been asked to come back to share in that celebration. The Featuring artists are: Sergej Andreevski, Macedonia; Fritzi Huber, USA; Eric Lawing, USA; Luc Marelli, France/Switzerland; Innocent Nkurunziza, Rwanda; Gönül Nuhoğlu, Turkey; Gerlinde Pistner, Germany; Dick Roberts (Founder), USA; Arrow Ross, Denmark/USA; Lone Seeberg, Denmark; Pamela Toll (Founder), USA; Gayle Tustin (Founder), USA; Barbara Anne Thomas (UNCW Art Intern)




This month we would like to welcome Grey Pascal to the Wilma Daniels Gallery. He brings us an immersive installation that allows you to surround yourself with soft lit forms that give the viewer both contemplative and whimsical thoughts. Watch the artist’s performance below to share in the experience of Vital Archives, for it lives in the memory of the moment.




These are the pieces that were submitted and accepted from our 2017 Annual Student Art Show. We are proud to showcase this amazing set of works from Cape Fear Community. The work was judges in the categories: Drawing, Painting, Printmaking, Photography, Ceramics, Metals and Jewelry, Sculpture, 2D Design, 3D Design, Digital Media, and Mixed Media and the winning pieces have been marked and labeled in which category. We would like to thank out Judge, Clair Hartmann for taking her time to help jury the show, The Student Art Club for help and guidance with the show, and Erica Shapiro from Sweet and Savory for catering.




http://clairhartmann.com/ (official web page)
Wilmington, NC artist, Clair Hartmann grew up in Jacksonville, Florida and studied painting and graphic design at the Art Institute of Fort Lauderdale. She was encouraged by her uncle Jimmy Lueders; an accomplished painter and faculty of the Pennsylvania Fine Arts Academy. After years of owning her own graphic design studio she decided to follow her passion and paint full time. She has work in a number of private collections and institutions; both nationally, and internationally. Clair has owned and operated a local gallery. In between painting, Clair, an accomplished metal smith, designs and sells jewelry. She is also well versed in photography, fiber arts, metals and studied under Hiroshi Sueyoshi in ceramics. Clair’s works have been published recently on the cover of Artists and Illustrators Magazine, in “Frida Obsession”, “Book of the Dog”, Modern Dog magazine and her paintings are featured on labels for Pug vineyard in Sonoma, CA.





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